Reincarnation

Are Past Lives Real?

I have always had a mild interest and belief in past lives although I am Christian (and actually recently turned Catholic). There is some evidence of reincarnation even in the bible and until a few hundred years ago both Christianity and Judaism referenced reincarnation. I have heard it was removed to make people more mindful of their actions and consequences in this life.

Sprinkled in this blog post are screen shots of some of the actual past life readings I have received. They are not in order and just thrown in randomly to illustrate the story – although they don’t make great pictures since they’re text as well so I added a few random images to break up walls of text to make this easier to read. I imagine no one’s really interested in reading this, except for me, so what I say goes :). One of the readings I ordered is an audio recording, but I have not received it yet. I prefer the text so I can go back and reread it and reference it easily. Absorbing different things each time I read them. read more

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Please Save My Earth Alice and Rin

Please Save My Earth Anime and Manga Review

Today I’m reviewing a very old manga / anime which is often credited as being (one of) the first (widely successful) Shoujo manga. Its art and story influenced other mangaka like Naoko Takeuchi – In fact there are many similarities between Please Save My Earth and Sailor Moon.

For example, both Please Save My Earth and Sailor Moon deal with lovers who were reincarnated on another planet having lost memories of their past lives and fated to meet again and remember sometimes happy, sometimes painful and sad memories. Both manga also focus heavily especially on the Earth and the Moon. There’s super powers in each one, and tales of friendship, betrayal, trust, love, jealousy, greed, and bullying.

Please Save My Earth is quite a bit darker than Sailor Moon. It’s more violent, it deals with more adult themes, and pushes some boundaries in what is common for a young girl to be reading.

Both manga also have same sex relationships and other issues that most other comics – or any form of entertainment media – typically shy away from.

Please Save My Earth features a love triangle and a lot more drama and suspense around this relationship dynamic, in fact, the relationship becomes catalyst for some of the series’ action and fighting scenes later.

But at the heart of both manga, you find a love story that has survived even after the main characters’ deaths. The timeless love story with its themes of reincarnation and the endearing characters as well as action and drama make it easy to see why Please Save My Earth is one of the best selling and most influential comics for girls of all time. It sold over 15 million units in Japan alone. Not counting reprints and other editions in other languages.

The English manga is hard to find now as it is out of print. Copies pop up from time to time, but typically sell for over $50 per issue. With 21 issues, things can get expensive quickly. Luckily, thanks to the wonders of technology, there is a cheaper solution. You can get the kindle editions of each volume for around $6 a piece. Click here to see all of the kindle editions of Please Save My Earth Manga.

If you do want the physical editions of the paper back manga, Barnes and Nobles as of this writing currently has most of the volumes in stock for $9.99 each. Much cheaper than amazon. There are a few volumes which are out of stock; and there’s the fact that this manga has been out of print for 10+ years now. So if you’re interested in those out of stock issues you will have to turn to sites like Amazon or Ebay. Here is a link to purchase the paperback Please Save My Earth manga on Barnes and Nobles Website.

The only version of the anime I have ever seen has been horribly butchered and edited – at least I’m assuming it has been significantly altered – I haven’t seen the original source material. If you look closely at the credits of both the dub and the sub English anime versions, you will see it says “Based on the screenplay by so-and-so” Based on? That’s odd. Why wouldn’t it just say “Screenplay written by so and so” – This tells me a lot of liberties were taken with this release.

Even though I’m sure the original screenplay far exceeds any of the English versions, I have never seen it available anywhere online (such as fansubbed, or etc with a more faithful translation.) So all I can do is merely speculate at the existence of some far superior anime than that which I grew up watching as a kid. Despite all of that — It’s still one of my favorite anime of all time.

Sadly, the anime is only about half of the story. It covers the first few volumes of the manga, but there’s still much much more left to be discovered. The anime is good, but really, if you want to understand the whole story, and see it as it was meant to be told without all the editing, then just go read the manga.

This anime is SCREAMING to be remade – from the facts that:

  • It was horribly edited for an English Release (not that anime studios in Japan probably care about this)
  • It is old and no longer licensed nor easily available
  • It never told the whole story of the manga
  • It is one of the best selling shoujo manga of all time and a critical influence to many other famous shoujo series including Sailor Moon
  • It’s a tale as old as time – Star Crossed Reincarnated Lovers and the tragedy and highs and lows that this all entails
  • It has mass market appeal – there’s a ton of fighting and action – there’s also a ton of romance and drama
  • The original one had ugly artwork and I would like to see it with a cleaner animation style and more attractive character designs.
  • But those screams seem to fall onto deaf ears! Will we ever see a proper 26 episode full season anime adaption of one of the best shoujo manga of all time? (based on sales figures) – It seems that since it SOLD VERY WELL – there would be an AUDIENCE (of at LEAST 15 million fans) wanting to see a GOOD FAITHFUL anime adaptation – and something longer than 6 episodes and a pasted together OVA or 2.
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    Big Fish Begonia Anime Review

    Big Fish and Begonia Anime Review

    Big Fish Begonia Anime Review
    Big Fish Begonia Anime Review

    Overview:

    Big Fish & Begonia (also known as Da Yu Hai Tang) is not technically an anime since it is from China instead of Japan; however, it is a beautifully animated fantasy adventure with a lot of heart. The quality of the animation is on par with Disney or Studio Ghibli.

    The story has a few plot holes and pacing issues, but overall, the emotional impact of the story telling makes this film a must watch. The story may feel familiar if you’ve watched Disney’s the Little Mermaid, or another Chinese animation from the 90s, Chinese Ghost Story. Despite the similar concepts, Big Fish & Begonia still manages to add its own unique twists and takes on concepts of forbidden love and reincarnation.

    Review:

    Title: Big Fish & Begonia (Da Yu Hai Tang)

    Release Date: July 2016 (China) (Not yet licensed for North America)

     

    Production: Bejing Enlight Media

    Geeky:  5/5 – The production values are top notch. The quality of the animation, music, and acting are all on PAR with Disney or Studio Ghibli. Many consider this film to be the “dawn of animation” in China. It took 12 years to complete, and the level of dedication, time, care, and skill that went into making this film really shows.

    Sweetie: 4/5 – I did decide to deduct one point for a few major plot holes and pacing issues. However, the themes of love (often times unrequited), life, death, and reincarnation make this film very “sweet” indeed. I was not expecting to cry as much as I did by the end!

    Overall: 47/55 85% B “Very Good Anime For Girls”

    Concept:

    Concept: 10/10 I am in love with the concept behind this film. I am a huge fan of Chinese Ghost Story and also the Little Mermaid.

    I even prefer the old 80s Japanese version of the Little Mermaid over the Disney one (blasphemous, I know, right?). Don’t get me wrong, I love Disney’s Little Mermaid too. But the reason I love the non-Disney version so much is because of how sad it is.

    Spoiler for the Japanese Little Mermaid below:

    [spoiler]In the end, the prince marries another girl. The Little Mermaid’s sisters come to her with a poisoned dagger. If she chooses to kill the prince and his new bride, she can return back home with her family. However, the Little Mermaid only wishes for the prince’s happiness and cannot bring herself to harm him because she is so in love with him. As the sun rises, per her agreement with the Sea Witch, the Little Mermaid turns into sea foam and dies.[/spoiler]

    I know this sounds horrible to some people who always insist on watching movies with a happy ending, but I’ve always loved tearjerkers, even as a child. There’s just something so touching and sweet about this tragic tale. It also happens to follow the original story more closely as well.

    So if we combine that 80s Little Mermaid with Chinese Ghost Story, we get something very similar to Big Fish & Begonia. Chinese Ghost Story is another beautifully animated Chinese film. (The animation was done by a Japanese studio). The story involves a young man who finds himself lost in a literal “Ghost Town”. All of the city’s inhabitants are spirits who have passed over. There, he meets a beautiful woman who also happens to be a ghost. Eventually the two of them fall in love; however, the only way for them to be together is for both of them to reincarnate back on earth.

    Story:

    Story: 7/10 The story of Big Fish and Begonia revolves around Chun, a young girl who has just become an adult in her society. Chun is from a mystical world. The movie describes the world by having Chun narrate that they are not gods, nor humans, but “others”.

    In this mystical world, all adolescents become dolphins and journey to the human world for 7 days as a right of passage. During this time if they should come into contact with humans, they will not be allowed to return back to their own world.

    However, a sea squall occurs which traps Chun in a fisherman’s net on her last day on Earth. The past few days, she has spent observing the humans and their world, especially one young human who loves the sea. This human sees that Chun is trapped in the net and swims out to save her.

    Although he is able to free Chun from the fisherman’s net, he drowns in the storm. Chun tries to save him, but is only able to retrieve his ocarina. Chun can’t forget the young man or his grieving family even when she returns back to her own world.

    Chun discovers that there may be a way to revive the young boy and return him back to his world. She trades half of her life in exchange for his. In doing so, she also irreversibly links together their two souls. Should one of them perish, so shall they both. To complicate matters, his soul must remain a fish until returning back to the human world. In Chinese legends, there was a big fish who could fly through the skies. Thus Chun names him after the fish of legend, Kun.

    Many sad things happen along the way, but Chun resolves herself to complete her mission, even if it costs her her own life. As much as Chun cares for Kun, there’s another character who equally cares for Chun. He is her childhood friend named Qiu. With the same resolve that Chun takes to protect Kun, Qiu takes similar resolve to protect Chun, also willing if necessary to trade his life for hers.

    Overall, I really enjoyed the film and loved the concept and story. My complaint with the story is the introduction of minor characters halfway through. They abandon certain concepts they have introduced, and create inconsistencies and plot holes. Here are a few examples.

    1.) In theory, Chun should not have even been able to return back to her world. Contact with humans was forbidden. Yes, her world begins to suffer, and everyone turns against her. But, when the film starts, her mother warns her not to let the humans see her and tells her that another girl just took the journey and was unable to return for breaking this rule.

    2.) At one point, a villain will escape into the human world. (You’ll know what I’m referring to if you watch the movie). After escaping into the human world, we never see or hear from this villain again. You would think it had some motive for wanting to go into the human world and that some consequences may occur in the human world as the result of introduction of this character. We’re never shown exactly what those consequences are.

    3.) When returning to the human world, all memories are supposed to be erased; however, that doesn’t seem to happen. There’s also the issue or significance of the necklace that Chun is wearing at the end, that I don’t recall being explained. It seems the creators want your attention to be called to the necklace from the swinging and shining animation and camera zoom and pan given to that scene. What significance exactly did the necklace hold?

    This next bit might be a Spoiler for the end of Big Fish and Begonia

    [spoiler]

    4.) If you watch past the credits you see a scene with Qiu (possibly eluding to a sequel of some sort), and at the end of the credits you are told that the film is based on a Chinese legend about a brother (Qiu) who evoked an 8,000 year long autumn, and his sister, Chun, who evoked an 8,000 year long spring. Then we are led to believe that the Qiu and Chun in this film are the reincarnations of the ones in Chinese Legend. Chun even tells Qiu that she can’t love him because she thinks of him as her brother.

    When we look at their respective magical ability, Chun with her flowering and plant growing, and Qiu with his fruit growing/harvesting, this also reinforces the idea that they are brother and sister. Also while researching this, I discovered that Chun is the Chinese word for Spring, and Qiu, the Chinese word for Autumn.

    You can also do your own research into reading more about the Legend of Qiu and Chun. One such source that I found describes that they had an incestuous affair for many years, despite Chun later marrying for political reasons, and being separated by distance geographically.  Despite the distance, their feelings for one another never diminished.

    The problem that I have with this theory is just simply that Chun doesn’t love Qiu in this film which seems to be a direct contradiction to the ancient legend. If it was based on this Chinese legend, it seems that she would have also had feelings for him as well as, or maybe even more than, her feelings for Kun.  Qiu very clearly has those feelings for Chun as he tells her that his only regret is having not held her in his arms on their final night together. However, Chun seems to only regard Qiu as a good friend, and nothing more.

    Despite the inconsistency that this creates, I have to say, Qiu is my favorite character, and that one line of dialog, and the scene of their final night together, and Qiu’s sacrifice for Chun, really is my favorite part of this movie.

    [/spoiler]

    Characters

    Characters: 8/10 Qiu makes this film for me. He begins as a bit of a child-like impish, practical jokester. By the end of the film, he has matured so much, and sacrifices so much as a result of his love and desire to protect Chun.

    Chun likewise grows as a character, with her resolve to protect Kun. She goes against her elders, her mother, the people of her village. She is shunned as a result of breaking the laws of her people. While it would be easy to harbor a grudge against the people who have cast her out of their tribe, she instead endeavors to help them when tragedy befalls their home.

    Chun also realizes what she was warned, that we cannot ever truly atone for our sins. As a result of helping Kun, other people begin to suffer. She realizes the weight and consequences of her actions; however, it is too late to change course.

    Qiu learns a similar lesson. He asks how to save and help Chun, but the answer he receives eats away at him. He asks a shopkeeper if he has anything that can make him forget his sadness. The shopkeeper offers him a drink, but he warns it will also take away his happiness. He learns that in order to have happiness, you must also experience sadness.

    The minor characters are also sources of wisdom and have a lot of heart, especially Chun’s grandparents who help her even after their own death.

    I did deduct 2 points because there are some characters that are forgotten and abandoned, and even Kun himself feels underdeveloped as a character. It was hard for me to like the relationship of Kun x Chun because so much more development had been put into Qiu compared to Kun.

    Production Value:

    Animation: 5/5 This is one of the most beautifully animated films I have seen, not just from China, but from anywhere. It blends beautiful 2D and some nice 3D animation techniques. The fantasy world and characters are all unique and mesmerizing.

    Voice Acting 5/5 Big Fish and Begonia is a very emotional film, and to pull that off, it makes use of talented voice actors who can capture and convey their feelings of love, guilt, grief, and despair.

    Music: 3/5 Music also has a Disney-ish feeling and helps tell the story. I especially liked the song during the ending credits. There a few Disney-ish feeling “song/dance” skits, which can sometimes detract from the mature and dark feeling of the film; these are brief, but not as well handled in my opinion as similar scenes in Chinese Ghost Story, which makes great use of music interludes to tell their story. The music also doesn’t feel that memorable in Big Fish and Begonia, but it is overall, quite lovely.

    Overall: 47/55 85% B “Very Good Anime For Girls”

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    Yobi the Five Tailed Fox | Anime Review | Korean Film | Korean Anime | Korean Animation | Korean Animated Film | Korean Movie | South Korea

    Yobi the Five Tailed Fox | Anime Review | Korean Film | Korean Anime | Korean Animation | Korean Animated Film | Korean Movie | South Korea

    While not technically an anime, per say, since it is not from Japan, Yobi the Five Tailed Fox is an excellent family film that has a similar style to that of Studio Ghibli. The story of Yobi the Five Tailed Fox tells us a Korean folk tale legend about Kitsune like creatures who could become human if they stole a human’s soul. Because of that belief, that the foxes could steal souls, they became hunted almost to extinction.

    Except for Yobi, the “young” (if 100 years old is young) fox who lives in the forest with her farting alien family who are trying to repair their spaceship to return home. One of her family members wanders into a summer camp for humans near the forest one day and Yobi goes to the camp in her human form to try to convince the alien to return back home.

    However, once Yobi enters the camp, she encounters a young human boy and begins to fall in love. She’s told by a shadow detective that he can help her to become human and he tricks her into helping him steal a soul.

    It’s a beautiful family film. At times the humor is a bit low-brow but it’s meant to appeal to small children. I didn’t care for some of the character designs. Yobi’s hair style is cute as can be, but their faces are more realistic and less “anime” styled for my tastes. The backgrounds are totally gorgeous. Voice acting was excellent as well as the music.

    It pays homage to many great anime films from Ghibli and other studies. Including the living bus from Totoro – although in this film it can fly. It also reminded me heavily of Wolf Children, with a fox instead of a wolf falling in love with a human boy and wanting to go to school and be with humans.

    So while it’s not terribly original, and its art and animation not quite as good as what we see from the Japanese studios, it’s still a very good family film. I cried at the end, it’s very heart moving and touching.

    Final Scores:

    Geeky: 

    Sweetie: 

    Art: 3/5

    Story: 7/10

    Character Development: 6/10

    Voice Acting: 4/5

    Music: 5/5

    Overall: 33 / 45 73% C “Good Anime for Girls”

    If you like this movie, you might also like: My Summer with Coo, Totoro, Wolf Children, Spice and Wolf, and Kanon.

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